Edited by Marco Rossi and Alessandror Rovetta, in collaboration with the students of Letters of the Catholic University in Milan.
The exhibition analyses the life and the artistic production of Michelangelo, facing the relationship between the preparatory sketches and the finished works. Michelangelo has always conceived his being sculptor, painter and architect as an experience of intuitions and continuous verifications, where the graphic passages describe the incessant desire to give form to his own conscience.